Aaron Kaplan — Director, Content Creator & PRoducTION

Latest Projects

Explore Aaron Kaplan’s award-winning directing, comedy formats, music videos and original children’s television worlds.

A sleek, high-end director’s monitor resting on a sturdy black stand in a dim television studio, its ultra-sharp screen displaying a frozen frame of a bright, colorful music performance set without any visible performers. Around it, blurred out-of-focus cameras, matte-black tripods, and coiled XLR cables suggest a busy production environment. Cool overhead studio lights and a single warm practical lamp in the background create a cinematic contrast, with soft reflections gliding across the monitor’s glass surface. Shot at eye level with a shallow depth of field, the image feels professional and precise, in clean photographic realism, emphasizing the craft of directing and producing without showing any people.

About Aaron

A sleek, high-end director’s monitor resting on a sturdy black stand in a dim television studio, its ultra-sharp screen displaying a frozen frame of a bright, colorful music performance set without any visible performers. Around it, blurred out-of-focus cameras, matte-black tripods, and coiled XLR cables suggest a busy production environment. Cool overhead studio lights and a single warm practical lamp in the background create a cinematic contrast, with soft reflections gliding across the monitor’s glass surface. Shot at eye level with a shallow depth of field, the image feels professional and precise, in clean photographic realism, emphasizing the craft of directing and producing without showing any people.

Aarav Sharma

A whimsical children’s television set built at studio scale, featuring oversized pastel-colored geometric props, a smiling cartoonish cardboard city skyline, and a brightly painted game-show style podium with oversized buttons, all devoid of characters. The floor is a glossy white cyclorama reflecting splashes of color from the set pieces. Overhead, rigged studio lights and softboxes are visible, casting even, diffused illumination that eliminates harsh shadows. The mood is playful yet meticulously organized, suggesting a high-production kids’ format. Shot from a slightly low, wide-angle perspective to exaggerate the scale and depth, with sharp focus throughout, in vibrant photographic realism that feels energetic, imaginative, and professionally constructed.

Mateo García

An immaculate edit suite featuring a large ultra-wide curved monitor filled with a complex video editing timeline of a family-friendly television show, bright color blocks and waveforms visible but no recognizable faces. Surrounding the monitor, a compact audio interface with glowing LED meters, a wireless control surface with color-coded dials, and neatly labeled external drives line a dark walnut desk. Soft, cool daylight filters through a partially closed blind, mixing with subtle warm bias lighting behind the screen, creating a focused yet comfortable atmosphere. Captured from a three-quarter angle with moderate depth of field, this photographic realism composition highlights meticulous post-production work in a clean, modern, professional environment.

Zuri Ndlovu

A polished producer’s desk laid out like a visual storyboard for a new comedy format: color-coded index cards with episode beats, neatly stacked scripts, a closed slate with crisp white lettering, and a pair of over-ear studio headphones resting atop a leather-bound notebook. A tablet displays a colorful show logo concept composed only of abstract shapes and typography, no faces. Afternoon window light streams in from the left, skimming across the textured paper and brushed-metal desk lamp, casting long, soft shadows. Photographed from a slightly elevated angle with a shallow depth of field, the composition feels organized, strategic, and creative, embodying professional planning in clean photographic realism.

Leila Haddad

A dynamic overhead shot of a production table on location for a music television shoot, covered with laminated shot lists, a detailed call sheet, neatly coiled colored cables, wireless audio receivers, and a compact digital cinema camera set down carefully with its lens cap on. A tablet nearby displays a vibrant waveform monitor and safe color bars. The setup rests on a rugged black road case with scuffed metal edges, hinting at extensive use. Late-afternoon golden-hour light grazes the table from one side, creating dramatic highlights and rich shadows, while the background falls into soft blur. The photographic realism and rule-of-thirds composition evoke high-energy, on-the-go professionalism in television and film production without featuring any human presence.

Hiroshi Tanaka

A sleek, high-end director’s monitor resting on a sturdy black stand in a dim television studio, its ultra-sharp screen displaying a frozen frame of a bright, colorful music performance set without any visible performers. Around it, blurred out-of-focus cameras, matte-black tripods, and coiled XLR cables suggest a busy production environment. Cool overhead studio lights and a single warm practical lamp in the background create a cinematic contrast, with soft reflections gliding across the monitor’s glass surface. Shot at eye level with a shallow depth of field, the image feels professional and precise, in clean photographic realism, emphasizing the craft of directing and producing without showing any people.

Amara Okafor

A sleek, high-end director’s monitor resting on a sturdy black stand in a dim television studio, its ultra-sharp screen displaying a frozen frame of a bright, colorful music performance set without any visible performers. Around it, blurred out-of-focus cameras, matte-black tripods, and coiled XLR cables suggest a busy production environment. Cool overhead studio lights and a single warm practical lamp in the background create a cinematic contrast, with soft reflections gliding across the monitor’s glass surface. Shot at eye level with a shallow depth of field, the image feels professional and precise, in clean photographic realism, emphasizing the craft of directing and producing without showing any people.

Soren Jensen

A whimsical children’s television set built at studio scale, featuring oversized pastel-colored geometric props, a smiling cartoonish cardboard city skyline, and a brightly painted game-show style podium with oversized buttons, all devoid of characters. The floor is a glossy white cyclorama reflecting splashes of color from the set pieces. Overhead, rigged studio lights and softboxes are visible, casting even, diffused illumination that eliminates harsh shadows. The mood is playful yet meticulously organized, suggesting a high-production kids’ format. Shot from a slightly low, wide-angle perspective to exaggerate the scale and depth, with sharp focus throughout, in vibrant photographic realism that feels energetic, imaginative, and professionally constructed.

Nia Roberts

Upcoming Events

FestSept18

Cineplex Mainstage

Tel Aviv

Festival details

FestSept23

Riverfront Cinema

Jerusalem Center

Programme guide

FestSept28

Galaxy Screen

Paris Quarter

Watch trailer

FestSept20

Harbourfront Theatre

Toronto Hub

Session info

FestSept24

Summit Filmhouse

New York City

Screening info

FestSept30

Sunrise Studio

London Docklands

View schedule

FestSept21

Skyline Cinemas

Haifa Bay

RSVP now

FestSept27

Harbor Lights

Berlin District

Book seat

FestOct01

Nordic Pavilion

Reykjavik Harbor

Join guestlist

Updates

News on premieres, festivals and collaborations